The narrator in Thomas Heise's adventurous novel tries to fuse together his present and past, abandonment by his parents, childhood in an orphanage, and a strong sense of disconnection from his adult life. The story is written in columnar, densely lyrical sections, looping and vertiginously dropping into the speaker's past, across several cities in Europe. W.G. Sebald, Samuel Beckett, and Michelangelo Antonioni's films come to mind, especially L'Avventura and Red Desert. Heise's language is precise (dirigibles "no larger than a fennel seed") and his lush, unfolding sentences offer a great, gorgeous pleasure. Moth is a haunting, one-of-a-kind novel that will stay with the reader for a long, long time

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