Through Virginia Woolf's diaries, letters, fiction, and the testimony of her contemporaries, this fascinating volume explores the inspiration and influences of music-from classical through mid-twentieth century-on the preeminent Modernist author of Mrs. Dalloway, To the Lighthouse, Orlando, A Room of One's Own, and other masterful compositions. In a letter to violinist Elizabeth Trevelyan, Woolf revealed: "I always think of my books as music before I write them." In a journal entry she compared herself to an "improviser with [my] hands rambling over the piano." Approaching the author's career from a unique perspective, Virginia Woolf and Music examines her musical background; music in her fiction and her own critical writings on the subject; its importance in the Bloomsbury milieu; and its role within the larger framework of aesthetics, politics, gender studies, language, and Modernism

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