Nonfiction
Book
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PUBLISHED
©2025
DESCRIPTION
x, 206 pages : color illustrations, color photographs ; 25 cm
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NOTES
Starting out in Chicago -- College days, a puppet show, a fateful meeting in Washington, leaving home for good -- Getting started in New York -- Making my way on Broadway -- Finding myself off Broadway -- Hal and Jerry -- Fiddler on the roof -- Cabaret -- Mike Nichols, The graduate, and why I hate Hollywood -- Fosse -- Dealing with addictions, buying God's pocket -- In sum -- Epilogue -- Afterword : Cat on a hot tin roof -- The designs of Patricia Zipprodt
"Iconic Broadway costume designer Patricia Zipprodt (1925-99) tells her own colorful story, from a tumultuous childhood in Depression-era Chicago to Bohemian New York in the 1950s, becoming one of the 20th century's most celebrated designers. Told with Zipprodt's acerbic humor and delicious wit, If the Song Doesn't Work, Change the Dress charts her journey to 1950s Greenwich Village, America's literary and artistic Bohemia. Tracking her career chronologically from the developing Off-Broadway movement to collaborating with the biggest artists of the day such as Jerome Robbins, Hal Prince, and Bob Fosse, this memoir charts her personal and professional failures and successes, which together made her one of the most recognizable and award-winning designers of 20th-century theatre. Published in full color, this illustrated memoir includes pictures from Zipprodt's own archive including sketches, drawings, and photographs of her work from some of the most significant shows of the 20th century, including Cabaret, Fiddler on the Roof, Chicago, and Pippin, and her work with such American theatre giants as Jo Mielziner, Irene Sharaff, José Quintero, Boris Aronson, Tony Walton, and Joel Grey, who provides a personal foreword to the memoir. Zipprodt's posthumous collaborator, theatre design historian Arnold Wengrow provides a vivid epilogue about her final battle with cancer. Drawing from her archive at the New York Public Library and Museum of the Performing Arts, he amplifies her recollections with letters, oral histories, and interviews she gave over the years to offer a portrait of an artist consistently working against the grain. If the Song Doesn't Work, Change the Dress will delight readers interested in Broadway, ballet, opera, and the history of costume design. Her lively anecdotes about New York theatre and working in Hollywood provide a rich insight into the life and work of a celebrated female creative giant of American theatre." --