Prepublication review: Counterculture Goddess is a masterly exercise in weaving the many strands of history - religious, geographic, military, social, literary and political - into a novel. They were tumultuous times, and you've brought out the difficulties for many people, particularly faithful Catholics, in finding their way through them.Anneke van Engelen strikes deep enmity in Gerda van den Donker by mocking her goddess beliefs. She becomes nasty and jealous of her best friend, Nienke Nijboer, whom she thinks handsome, personable James Williamson prefers. She is wrong. James prefers her. When Anneke and Nienke start university in Amsterdam in 1966, they meet Wolter Langbroek and Luuk Rietveld.Against the backdrop of the 1960s sexual revolution and the turmoil left by the Second Vatican Council in Holland, Anneke's and Nienke's relationships evolve, Anneke with Wolter and Nienke with Luuk. They are drawn into the goddess movement, along with Gerda, whose hatred of Anneke has not cooled.Anneke must resolve her two-timing with Wolter and gets a taste of it herself when Katja van Amstel, a former girlfriend of Wolter's, walks back into his life. Their lives are further complicated by Wolter's relationship, through his job as an economics advisor, with Roy Clark, whom Luuk suspects of being a CIA officer. By the end of 1967, the entanglement of relationships and the political intrigues become explosive. After a lifetime of working in the book business, Gerard Charles Wilson now concentrates on his writing. The focus is on social, political, and religious themes. One of his formative experiences was living in Holland for two and a half years. He completed a major in Dutch Language and Literature and then a master's degree in philosophy. His studies and immersion in another culture and language, together with his Catholic faith, form the biggest influences on his writing

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