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Shawm - Saltarello (1:55) -- Reed pipe - Shepherd's tune (1:02) -- Bagpipes (3:14) -- Bladder pipes - Pastourelle (Au tans d'aost), from the Chansonnier Cangé (1:08) -- Panpipes - Chanson à refrain (A prisai qu'en chantant plour) (1:13) -- Transverse flute - Minnesinger melody (Owe daz nach liebe gat) (1:34) -- Six-holed pipe - Chanson pieuse (Dou tres douz non') with improvised prelude & postlude for jew's harp (1:55) -- Double pipes - Virelai (Gracieusette) (1:21) -- Pipe and tabor - Dansa (Ben volgra s'esser poges) (1:13) -- Recorder - English Te Deum (1:55) -- Gemshorn - Chansonnette (Quant je voy yver retirner) (1:33) -- Portative organ - Madrigal (Ay schonsolato ed amoroso) (1:43) -- Positive organ - Estampie from the Robertsbridge Fragment (2:23) -- Hurdy-gurdy - Chanson (Joliveté et bone amor) (1:39) -- Clavichord - Ellend du hast (2:16) -- Trumpet (2:21) -- Trumpet (3:37) -- Harp (2:14) -- Lyre - Goliard melody (O Roma nobilis) (0:51) -- Psaltery - Hymn to St. Magnus (Nobilis humilis) (1:01) -- Dulcimer - Madrigal (Tanto soavemente) (1:57) -- Lute - Madrigal (Di novo é giunto) (2:14) -- Mandora - Chanson (Amours que porra) (1:23) -- Long-necked lute - Aquel que de voontade' from the Cantigas de Santa Maria (1:15) -- Gittern - Virelai (Quant je sui mis) (1:02) -- Citole - English dance (1:46) -- Rebec - La septime estampie real (1:05) -- Fiddle - Ballata (Poi che da te mi convien) (1:26) -- Bowed lyre - Virelai (Comment qu'a moy) (1:35) -- Tromba marina - Improvised fanfare (1:05) -- Shawm - 2 Courantes from Newe teutsche weltliche Gesänglein, 1613 (2:13) -- Curtal - Chanson (Ce qui souloit) (1:45) -- Rackett - Caro ortolano from Il Primo Libro di Balli, 1578 (1:30) -- Crumhorn - Padouana from the Banchetto Musicale, 1617 (2:09) -- Cornamuse - Bicinium (Le cuer de vous) from Georg Rhaw's Bicinia gallica et latina, 1545 (1:11) -- Kortholt - Bicinium (Mon petit cueur) from Georg Rhaw's Bicinia gallica et latina, 1545 (1:23) -- Rauschpfeife - Three Bransles Doubles from Terpsichore, 1612 (1:33) -- Flute - Chanson (Amour me poingt) from Pierre Attaingnant's 2nd book of Chansons musicales, 1533 (1:26) -- Recorder 8' consort - Chanson (Hellas! Amour) from Pierre Attaingnant's 2nd book of Chansons musicales, 1533 (2:17) -- The Fairy Round (Galliard No. 3) (1:22) -- Renaissance organ - Entrada réal (2:20) -- Regal (1:35) -- Harpsichord - toccata from the Naples Ms. (1:57) -- Virginals - Variations on the Tomanesca from the Dublin Virginal Book, c.1570 (2:35) -- Xylophone - Ballo Francese from Il Primo Libro di Balli, 1578 (0:57) -- Trumpet (1:26) -- Sackbut (2:59) -- Cornett - Canzona fro (due canti) from Canzoni da sonare, 1634 (3:08) -- Alto & tenor cornett - Bicinium (Amour cruel) from Georg Rhaw's Bicinia gallica et latina, 1545 (1:22) -- Serpent - Canzona quarta for (basso solo) from the Canzoni da sonare, 1643 (2:22) -- Lute - Orlando sleepeth (1:44) -- Theorbo - A Fancy - Praelude, or Voluntary from Musick's Monument, 1676 (1:48) -- Mandora - Ballo Anglese from Il Primo Libro di Balli, 1578 (1:06) -- Cittern - Galliarde from cittern and bass from the Cittharn Schoole, 1597 (2:22) -- Ceterone - Toccata prima from Intavolatura di Liuto e di Chitarrone, 1623 (1:44) -- Bandora - Galliard from the Braye Bandora Ms. (0:50) -- Orpharion - Duet (Le Rossignol) from Jane Pickering's Lute Book, 1616 (1:36) -- Vihuela - Fantasia XI from El Maestro, 1536 (2:50) -- Guitar - Pavana (variations on the Romanesca) from the Braye Lute Book, c.1560 (1:32) -- Viol (3:21) -- La Volta (1:32)