For three years, Anne Billson wrote a film column for the Guardian newspaper which became obligatory reading for anyone interested in the world of cinema. She combines in-depth knowledge of her field with an eminently readable and unpretentious style and makes sometimes surprising and controversial observations with wit and elegance. Quite simply, she's a must-read for anyone who likes reading about movies.Billson, born in the UK, is a well-known film writer with thirty years experience (including eight years as film critic for the Sunday Telegraph) and half a dozen books about film and three horror novels to her name. After reading her vampire novel Suckers, Salman Rushdie called her, "a superb satirist"; Jonathan Carroll described it as, "a rare and impressive piece of literary juggling" while Christopher Fowler called it, "dark, sharp, chic and very funny." Nicholas Lezard of the Guardian wrote of Spoilers, another collection of Billson's film writing, "she's on the ball, and funny with it." Ian Freer in Empire magazine called her monograph on the Swedish vampire movie Let the Right One In, "a fun, stimulating exploration of a modern masterpiece." Anne Billson is a film critic, novelist, photographer, screenwriter, film festival programmer, style icon, wicked spinster, evil feminist, and international cat-sitter. She has lived in London, Cambridge, Tokyo, Paris and Croydon, and now lives in Antwerp. She likes frites, beer and chocolate.Her books include horror novels Suckers, Stiff Lips, The Ex, The Coming Thing and The Half Man; Blood Pearl, Volume 1 of The Camillography; monographs on the films The Thing and Let the Right One In; Breast Man: A Conversation with Russ Meyer; Billson Film Database, a collection of more than 4000 film reviews; and Cats on Film, the definitive work of feline film scholarship.In 1993 she was named by Granta as one of their Best Young British Novelists. In 2012 she wrote a segment for the portmanteau play The Halloween Sessions, performed in London's West End. In 2015 she was named by the British Film Institute as one of 25 Female Film Critics Worth Celebrating

Mode of access: World Wide Web